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  #26  
Old 07-15-2010, 03:14 AM
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SOTSDO SOTSDO is offline
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When we lived up north, I had a special steam heating boiler built, just so I could fire it with discarded Leblanc alto clarinet bodies. Those oily things burn for a long, long time...
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Old 07-15-2010, 06:58 PM
jbtsax jbtsax is offline
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Quote:
Originally Posted by akame View Post
I do also have a quick question about where to put the reed on the MP. A book I bought said the reed should be just under the tip of the mouthpiece, my tutor says just over, and a video on You Tube, I think, said level. Talk about confusing!! Is it a case of whatever is easiest, or is there a "proper" place?

Still plugging on......

akame
That is a good question. I teach my students that when looking straight at the reed on the mouthpiece they should be able to see just a "thread" of the black tip of the mouthpiece. That said, experienced players will often adjust the vertical placement of the reed depending upon the strength and resistance of the reed.

-A reed that feels a bit soft can be put slightly beyond the tip of the mouthpiece.

-A reed that feels a bit stiff can be put slightly below the tip of the mouthpiece.

The idea is that by putting the reed higher, you are putting more of the thicker part of the reed into the area that vibrates. Conversely by putting the reed lower your are putting more of the thinner area of the reed into the area that vibrates.

Oftentimes when my "pet reed" begins to go soft, I will coax a bit more play out of it by putting it a little higher on the mouthpiece, but this only works for so long. Some players will clip the end of the reed to achieve the same effect, but I have never had good success with this technique.

Congratulations on your new clarinet. Keep us informed about your progress.
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